The Fun’s All Over:This is based on the playing of Mike Compton as played on Climbing the Walls. Tanyards: One of the former “lost” Bill Monroe tunes now made popular by Mike Compton. Very unique old time tune that goes from A minor to A Major. My arrangement, loosely based on the playing of Mike Compton, as heard on Butch Robins’ Grounded Centered Focused. Pine Grove Furnace: Original tune performed by Will Kimble and me on the Butch Baldassari tribute CD, The Road Home.Įast Tennessee Blues: The great fiddle tune dating back to the early days of the Grand Ole Opry. Works well due to tune being in A allowing use of open strings. An interesting mandolin adaptation of the tune. Ten Years Gone: One of my favorite Led Zeppelin tunes. A lot of work is going into this, so at this time, here is part one (up through the first phrases of the solo). Voodoo Child Part 1: Part one of one of my most frequent tab requests. Key to this is to be funky and get that vibrato going! Watch on YouTube Spanish Castle Magic: One of my favorite Hendrix tunes. The Wind Cries Mary: One of Hendrix’s most popular tunes. Wish You Were Here: The great Roger Waters/Pink Floyd tune. Over the Hills and Far Away Part 1: Led Zeppelin tune. Goodbye Blue Sky: The beautiful Roger Waters tune from Pink Floyd’s the Wall, played and sang by the incomparable David Gilmour. Minor pentatonic blues box pattern: Demonstrates an open blues box pattern for mandolin. Minor pentatonic blues box pattern: Demonstrates a closed blues box pattern for mandolin. Major pentatonic blues box pattern: Demonstrates a closed blues box pattern for mandolin. Taken from guitar stylists such as Stevie Ray Vaughn and Ronnie Earl. “Over the IV” Lick”: Great blues lick to play over the IV chord (this example in E). These are movable shapes which can be transposed to any key. YouTube videoġ0 Blues Turnarounds in E Major: Exploring turnarounds in the Key of Eīasic Blues Shuffles: Different shuffle patterns for the Key of A. However, the last couple measures are firmly based in Young’s playing. Most of the intro is correct until the end cause hard to make out mandolin due to guitar. Johnny Young style intro (key of G) based on No 12 is at the Station: A great tune from Johnny Young’s early 70’s Bluesway album I Can’t Keep My Feet From Jumpin’. The playing of Rich DelGrosso–Get Your Nose Outta My Bizness! : Opening 12 bars to the title track from Rich’s album of the same name. Mandolin backup riffing inspired by blues fingerstyle guitar: A fun riff that harks back to great fingerstyle guitar playing. (Please check out my YouTube channel for my blues mandolin instruction videos )ĭ Double Stop Shuffle: Doing organ type shuffling using double stops. All the tabs can be found in the “Tablature” folder of my me.com public folder: NOTE: To make things easier for you (and much better for me), I’m not including individual links for the tabs. Please download the free Tefview to view them. Some of the following lessons/tabs were created in Tabledit. What follows are the list of tabs I have available. If you get any use of these tabs or my YouTube lessons/videos, consider donating to this effort. It’s one of the reasons tab books aren’t cheap. As much as I would like to honor all of them, it is a time-consuming task. Helping me stretch the sounds of America were a handful of friends and musicians from other countries/styles: Wu Tong (China), Sandeep Das (India), Tunde Jegede (Nigeria), and Derek Gripper (South Africa).I get a lot of requests to tab tunes out. Grounding this album with the utmost authenticity were accomplished American musicians such as fiddlers Bruce Molsky and Darol Anger, mandolinist Joe K. “After my first album of American Folk music, Final Night at Camp, I wanted to go deeper with the exploration of incorporating musicians from different cultures and styles into the re-imagination of what traditional American music could sound like, using a combination of timeless songs like CC Rider, Blackest Crow, and Wayfaring Stranger traditional Old-time fiddle tunes like Forked Deer, Julianne Johnson, and Old Sledge Bluegrass standards like Walls of Time and Old Dangerfield while also throwing some unexpected things in like Roll Over Beethoven(Chuck Berry), Lay Down Your Weary Tune (Bob Dylan) and a new original of mine, How ‘bout going to the creek?
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